Such a vista, this view across the fields enticing us to climb the stile and walk into the painting.
Silver Birch trees were a favourite of Terry's, he often painted them with deep foliage behind them to enhance the light on their trunks, and this is no exception.
This is very much a Spring scene, with soft blue and yellow flowers in the foreground.
Terry's original crop marks are visible on the original in image 2. Look for the L shapes drawn with pencil intended for the mount to be placed.
Signed bottom right.